Why the West Wars on Jews: Origins, I — Love
Wednesday, April 26th, 2006by Prof. Eugene Narrett - copyright 2006
Western civilization is destroying itself; rather, it has been destroying itself for a long time. Despite its dynamism, creativity and productivity, wealth, superficial beauty and power, its main expressions, from Hellenistic Greece and imperial Rome to the European Union and, yes, to post-modern America, western civilization has been a spectacularly irrational suicidal process. Why?
A strikingly consistent feature of the West’s self-dissolution, particularly sharp during the past century, — the era of the Protocols of the Elders of Zion and mass pogroms, the British Empire’s perversion of its Mandate for the Jewish National Home, the wide range of American and British admirers of the Nazis (from Henry Ford and Margaret Sanger to Joe Chamberlain), the shoah, the embargos and Road Maps, the consistent feature is the West’s animus against the Jews and Judaism.
This is both vicious and odd for the tap root, one could say in Scriptural idiom, the “tent” of Western civilization is Judaism. The forms, the categories of thought, the division of “knowledge” into disciplines are often Greek or Roman but the?hearth, the?ethics, laws, conception of human nature, its responsibility, freedom and dignity, the idea of a personal Creator Who hears prayer are Jewish. The division of life into secular and sacred, alien to Judaism, reflects a late stage of pagan Hellenism which in no small part was a reaction to 1) the perpetual internecine violence of the Greek city states and, 2) the violent and perverse immorality (from a Jewish viewpoint) of ancient Greek theology in which human beings are puppets or pipes for the gusts of stimulating and destructive passions breathed into them by warring gods; in which the world is violently and magically unstable, qualities represented in most digital era films.
As a first consideration of the major fact of all our lives, the suicide of the West and its obsession with attacking its Jewish taproot, here is a synopsis of the Greek theology first recorded by Hesiod (c. 540 BCE) in his Theogeny (lit. birth or “generations of the gods”).
Strikingly unlike Genesis, Hesiod gives several confused accounts of creation, some of them clearly borrowed from Judaism. But the main line of Hesiod’s account is that Earth, herself a goddess, Gaia, produced all the other gods, sometimes “without any act of love” (an ‘immaculate conception,’ — Athena and Dionysus, indeed many Greek gods and goddesses were born in some such manner) and sometimes via intercourse with her mate, Ouranos who is both her husband and her son. “Gaia’s first born was Ouranos, the starry sky…”
Perhaps because of his ambiguous and disturbing double status as father and son, Ouranos feared his children “who hated their father.” (Contrast this with the love that characterizes Abraham’s relation with His Creator Whom he recognizes as the immaterial Author of all there is, including space and time. Contrast it too with Abraham’s love for his children, all of them).
But in the ‘tent’ of Yavan [Hebrew word denoting the Greeks], children as well as wife hate the father and husband who fears them. This is not the paradigm of a culture that will endure. Moreover, this hatred leads the son, Kronos (”time” which in Greek thought is a son of earth, one of many aspects of Greek thought junked by science) to collude with his mother to castrate her husband, his father. And so he did, with “the enormous sickle” she prepared.
“And he [Kronos] lopped off the members of his own father and threw them to fall where they would, taken in by Gaia, the earth” from which she brought forth the “Furies” of blood vengeance and “the tall giants… But the members themselves he threw into the great wash of salt water… and?from the circles of white foam and the immortal flesh grew a girl, a modest lovely goddess, called Aphrodite [”foam”] because from the sea foam she grew and Philommedea, because she appeared from [loving, i.e. genital] members. And Eros went with her. And here is the privilege she holds first among gods and men: the whisperings of girls, smiles and deceptions, the delight and sweetness and flattery of love…” [Theogeny lines 165-207]
Greek civilization rested uneasily on the centrality of connubial treachery and hate expressed in castration; deracination (destruction of roots) is its first principle. And this treachery, hatred and deracination they conceived as the basis and origin of love, a condition and emotion they from the first?perceived as deforming, erotic, and deceitful. Aphrodite, conceived in a grotesquely violent and magical way embodies the bloody foam and members of her… well, what exactly is her relation to Ouranos? For Aphrodite literally is a female embodiment of castrated male members: as noted, their ideal of love is grotesquely violent and perverse.
What kind of future for fathers can there be in a culture with this founding myth? It is a future like our present, a culture of ‘no-fault’ divorce, of disposable fathers; of children crippled by a father dearth whose Hollywood icon is Darth Vader. Contrast this with the role of the Jewish father to his children, the love, teaching, and kindness that bind the generations in memory, identity, and awareness of the One, the unborn and the undying Who wants us to sanctify the world, not alternately worship and reject it.
In Hellenic sensibility, the quintessentially beautiful female form is a transmutation by blood and brine of castrated male members, the origin of the west’s self-negating ‘transgender’ manias, its long obsession with androgyny, and its eroticized mass “media” (cf. Philommedea) too. The resulting goddess, if goddess is an accurate description of Aphrodite, is according to many Greek texts (cf. The Bacchae, the last Classical Greek tragedy written, 401 BCE) “the only comfort and peace of suffering mankind.” The dominant ideas of original Greek thought are dissolution of self, mutation and mutilation as so horribly described in Ovid’s compendium, Metamorphoses as in plays like The Bacchae itself which demonstrate how literally the Greeks understood the need of their gods for a human scapegoat whose ritual dismemberment would produce both punishment and communion…
This primary text illustrates why that dazzling hybrid, western civilization, has been a long running war on the Jews and Judaism. Since the days of the Antiochus Epiphanes (a.k.a. Epimanes), nay, since Ptolemy Philadelphus had the Torah translated into Greek (a tragedy that resonates in Hamlet’s lines on how “a king can go a progress through the guts of a beggar”), Hellenic sensibility has been bursting through the tents of Shem, the Jewish ethos which briefly rescued Greco-Roman paganism and launched “western civilization.” Examples of this cultural theft are the West’s theology, a sanitized form of Hesiod’s theogeny;the demonization of Jews and resulting genocidal wars and pogroms ancient, medieval and modern; and the West’s pervading obsession with “progress,” forgetting, uprooting (as was done to the Jews as to the first Greek father-god, Ouranos; in general their preference for innovation over conservation. (The outwardly staid Ralph Waldo Emerson as much as the fiery, anti-social Jean Jacques Rousseau were intense advocates of progress and self-creation and were haters of the ’strangling’ quality of the past, as anti-Jewish a perspective as can be conceived). The Renaissance and then the Romantic exaltations of human will into desperate efforts to re-create and re-fashion human beings and society all reveal the pagan Greek nightmare bursting through the Jewish ethos of dignity, responsibility, respect for elders (not deification of youth), of teaching and learning, not rebelling… of dignity, personal humility and modesty, not fame and display.
The horrible Hellenic conception of erotic love is the negation of generation and family. The West’s glorification of this self-negating vision is part of the basis of its relentless war on Jews and its own self-destruction. We live it, and like Hamlet, like all people, we are tasked with “setting right” [tikkun olam] a time that we have not made and would not have chosen; we are on a badly “out of joint” stage which yet is the platform on which our challenges must be met and our souls refined.
Knowledge, courage, identity, recognition of the saving Jewish alternative is the only way out.
